The Economist explains

Why are the rights to “Happy Birthday” in dispute?

A birthday suit comes to court after 80 years of grumbling

By G.F. | SEATTLE

SING "Happy Birthday" at a private party in America, and you probably won't be prosecuted. But if an organised group such as the Girl Scouts wants to put the song into a collection to sing around the campfire, or if a filmmaker wishes to show people singing the song in a movie, the situation is very different. They must pay hundreds of dollars in licensing fees to Warner/Chappell Music, a division of Warner Music Group that enforces a copyright for the song's composition and lyrics, or risk a lawsuit that could result in penalties of $150,000 for each violation. Warner/Chappell is said to collect $2m per year in royalties for the tune. Now a filmmaker, Jennifer Nelson, wants to make a movie, called "Happy Birthday", about the history of the song. She says she paid Warner/Chappell $1,500, under threat of litigation, for the right to include a performance of the song in her movie. She then filed a lawsuit (for which she is seeking class-action status) against the company, claiming that the rights to the song expired nearly a century ago. Why are the rights to "Happy Birthday" in dispute?

More from The Economist explains

What are the obligations of Israel and Hamas to protect civilians?

International Humanitarian Law creates obligations—but contains numerous caveats

Why is so much of the internet’s infrastructure run by volunteers?

Malware smuggled into XZ Utils software highlights a bigger problem


The growing role of fighting robots on the ground in Ukraine

Drones already fill the skies. Now uncrewed vehicles are heading to the front lines